on a personal note - here are pictures of ben from his younger years!

Recent Work -Susie Park from Eroica Trio, pianist Elizabeth Pridgen, and new mag. editorial

Who says that classical music photos have to be stereotypical and boring?

Thoughts?

 

Billboard Magazine cover - a lucky break?

I've never had what most people consider a lucky break in this industry. I know many who have. I can honestly say that I've never gotten a job because I knew the graphic designer at a record label or had a friend that worked at the magazine. It's been blood, sweat, and tears for my work. I landed the job for Billboard Magazine through flying myself up for a portfolio meeting with Island Def Jam Records in New York. That doesn't mean that I don't think I'm blessed to have the work. I know that the competition is fierce, and it's even harder when you don't backstab and lie to climb to the top. Like many photographers I've been burned by people whom I've done favors for, and figured out the industry through trial and error. I still have a lot to learn. Since the Billboard shoot I've decided to add to my music portfolio by collaborating with established and a few unknown musicians. If you know anyone that fits that description let me know.

It's funny that in the world of photography you don't have time to sit back and enjoy what you have done because there is always someone that is vying for your job. Of course, I was discussing this with my musician friend who said that it's the same way in her world. Sometimes I miss the days when I was in school and working for a bank where if I followed the rules, reached my goals, and completed my tasks - my job was safe. One of my goals for 2009 is to enjoy where I am both personally and professionally, and to be thankful for all that I've been given. I challenge you to do the same.

Here I am in LA!!

So today I photographed Victoria Recano from The Insider for Pregnancy & Newborn Magazine! She seemed to have no celebrity airs about her, and was someone you instantly feel like you could be great friends with. You know like thinking you and Jennifer Anniston could be friends. Of course there was some stress because we had minimal time on the actual studio set, and they have a lot rules of what you can't do.

I was able to take around 10-12 shots of each set-up and then we ran (yes, we literally were running in heels), from one set to the next loading and unloading our equipment. As we wrapped, the make-up artist was heading off to NY to shoot Kevin Bacon in the morning, and the hair stylist has a steady job on The Closer with Kyra Sedgwick. Being at CBS studios, with film cameras following us everywhere was kind of surreal, and you try to recognize everyone you see. Here's one of the shots! The finals will be released in P&N in March, and the show will be airing a 30-45 second promo of our shoot.